It is increasingly high number of designers who experimented with porcelain, revisiting the classic forms of pottery, choosing to remove the color, opting for more neutral white and focusing on the distortion of the lines.
This is the case of Dutch designer Aniek Meeldijk presenting a tea worthy of Alice in Wonderland, where every element seems about to dissolve in a precarious balance to remain in his fixity.
But it is also the case in South Africa Wendy McLachlan, in order to continue the quotation of Alice, White Rabbit fill with his creations table, candelabra, backsplashes, flower pots, imitating the softness of rodents and using them as functional elements instead of rods or media.